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【】othinartandineverydaylife,seeinderoustothe extre,andsoofthesterpiecesofepaintinginthedresdengalleryare definitelyode eseartistshedarenotsayso,butthereareal artistsitthesensuinofallartandkeofit. buttheeselibidoisthere,onlydressedinadifferentexpression.ensdress isnotdesigorevealthebodyofthehunforuttosilatenature.a aysee,throughtheuseofhissensuousigination,afelenude forntherisingseahedraperiesofthegoddessof risdelledafterthegracefulrhythfthesforheriionally droopingshoulders.hereyessuggesttheaprit,hereyebrooon,the lightofhereyesthesilentnlake,herteethareliketheseedsof pogranate,herlikethehespring baooshootsandherbouagaihecreston.su expressionsarebynoansabsentitheofeseart, aeofeseensdressinparticular,justifythetakingofsuch expressionsseriously.foransbody,asbody,theesehavenoappreciation. allyirayalofthe hunforandevenanartistlikeingperiod,fausforhis paintingsoffelelife,shoalenudeforerychlike apotato.feansneck orofaansback.thetsashihpishin,aothehandynastybut reallybelongingtothengperiod,gaveafairlygoodaale nudebody,shoassuch,butitisalsttheonly exception.thisisooftheseclusionofen. asatteroffaatter.ensstuswill ge,andheslongastheyareen,anden aslongasnthiiful.thegefrohevictorian boyishfigureoftheearlytiethturyand ontotheeorestrikingthanthedifference betensdress.aslois alen.aionalpageantofensdressoughttokethis pointsuffitlyclear.onlyadecadeagoeseenparadedthestreetsin trousersandtodaytheyarefloatinginlonggoen intheareahaseverypossibilityof ingintofashion.theonlyeffehgesgiveisthatitengendersinna broadnd. oreiortaheioensseclusionandthe idealofanhood.thatidealistheidealofa”helpfulother,”a
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