第71节 (第1/2页)

    【】departed.”thedifference

    betereesayitbeautifullyandothersdo

    not,andtheyorebeautifullythanotherssurvive.

    thelyriakesitpossibleforustardliteratureasa

    refleanssoul,andtardanationsliteratureastherefleans

    spiritinthatnation.foriflifeybeparedtecity,ansay

    beregardedasthehecity.inreadinga

    nshisgarretainaviewof

    lifeastheountainpeaksliningthehorizon,

    andthealleye,butthatgarretviewof

    thecityisindividualistidpeculiarlyhisoionsliteraturewe

    arethereforebuttryingtogetagliseoflifeasthebestndsofthatnatio

    andastheyexpressitthroughtheiroediu

    iinguageandthought

    theaediuortheeselanguage,haslargely

    deterhepeentofeseliterature.byparisonhthe

    europeanlanguagesitispossibletotrahofthepeculiaritiesofese

    thoughtandliteratureareduesilytotheirpossessionofasocallednosyllabic

    language.thefactthattheesespokeinsyllableslikegyg>gwas

    appallinginnsequeerheterofthe

    eseing,andtheteroftheeseingbroughtaboutthentinuity

    oftheliteraryheritageandthereforeeveninflueheisfese

    thought.itentofaliterarylanguagequite

    distinadeleaingdifficultand

    eddirectly

    iofuliaritiesofeseliterarystyle.

    everynationhasdevelopedaostsuitabletoitslanguage.europedidnot

    developaingonpictorialprinausethephoitureof

    indogernicparativeprofusionofnsonantsand

    infinitelyvariablebinations,requiredananalyticalphabet,ahe

    representationofthese

    ofideographsuldbeusedalone,andithecaseofese,

    hepictorialprinciplebythephoiciplebeforeit

    uldhaveanyiortantdevelopnt.theseelentarypictographshenused

    inbinationspurelyfortheirphoicvalue,andactuallyhsoftheover

    fortythousandtersinesediariesarebuiltontheprincipleofphoic

    bination,haboutthirteenhundredideographsasphois.ha

    nosyllabiguage,suchastheese,four