第79节 (第1/2页)

    【】os.itbeganhliang

    haoieenniies,butlyaggravatedoraeleratedafter1917.

    aniaforaywellbe

    regardedasanaggravation,butthestyleintroducedissntotheese

    languagethatitotlastthissituationisespeciallybadintranslationsn

    erousastheyareunintelligibletotheaverageese

    reader.

    actually,suitiesareperpetratedbytranslatorsfoootherreasonthantheir

    insuffitsteryofthefnlanguage,totranslatewordby

    edeparishas

    actuallybeentranslatedas”parisianaginealsothegrotesquenessof

    translatinglongenglishrelativeclausesfolloheirasintoese,

    htherelativeclausesexistinesegedintoalongstringof

    difiersextendingoverseverallinesbeforeiningtotheodify.

    ents,liketheintroduoftheloose

    nstru.ainclause

    shantgo,ifitrains,itisheprosesochre

    suppleandflexible.

    erivalanynationallanguage

    inpoodeenglishproseisdistinguishedbyahealthy

    xtureofnelyenglishlanguage,and

    oreexaeaning,takenfroheronic

    heritage.atenlanguagehnsiderssuchexpressionsas”anosefor

    nehebhedriftoflanguage,””ridingoideof

    suess”and”lloydgeesflirtationshtheiveparty”asgood,

    standardenglishstreinavirileliterarydiuafalseliterarystandardh

    the,tide,etdenforcessubstituteslike

    appreulations,te,statoncelosethis

    virility.thetpos,eandabstragreatriessin

    theeselanguage.itsbasitureishroughout,likethe

    anglosaxoeraryheritageofthealliteraturehasleftbehind

    avoeaning,othe

    roureofthesetentsinthe

    handsofatrueliterarycraftsnthereergeaproseofthegreatestpower

    ay.

    viii.poetry

    itseefairtosaythatpoetryhasenteredreintothefabrifourlifethanithas

    intheandisnardedusedindifferencesquite

    generaliioned,allesescholarsare

    poets,orpretendtobe,andfiftypertofthesofascholarsllectedworks

    usuallynsistsofpoetry.theeseierialexanations,eversiang

    period,havealpositionofpoeaasof