第95节 (第1/2页)

    ina,thatthe

    inineforsinspirationforthehighestideal

    ofperfectrhythelyhappy

    iingadragonfly,afrog,agrasshopperorapie

    observation,itseethereforethatthespiritoforesensual,re

    passionate,refulloftheartistsoore

    oreinharnyayexpressthis

    differencebyusizslanguageaadsayingthateseartis

    apollonianart,ousdifferenceis

    possibleonlythroughadifferentuandingandappreassuch.

    sofartarsofrhythnhasnotplayedthedonantrok

    hasalings.curiouslyenough,thiscultof

    rhythrathedevelopntofesecalligraphyasanart.

    thestrangepleasurederivedfrotelatingapictureofbarrenrocksdoneina

    ferokesandhungontheobelookedatdayinanddayout梩hisstrange

    pleasureeuandabletothehehasuoodthe

    artistientalistheplaalligraphyin

    andrhythractthataysayithas

    providedtheesepeoplehabasicaesthetiditisthroughcalligraphythat

    the.itistherefore

    iossibletotalkaboutesearthoutuandingesecalligraphyand

    itsartistispiration.thereis,forinstaoypeofesearture,

    ple,onyandforbr>

    isnotdirectlyderivedfroertaintypesofesecalligraphy.

    thepositionofesecalligraphyioryoftheisthustruly

    unique.ooresubtleandre

    respohanthepen,calligraphyhasbeeedtothetruelevelofanartona

    parhesepainting.theesearefullyahisheyregard

    paintinganding

    alstanindividualh.should

    therebeaquestionastoheansedlybe

    infavourofcalligraphy.ithasthusbeeanartcultivatedepassion

    aion,dignifiedbyasas

    paintingitself.itsstandardsarejustasexag,anditsstershavereachedheights

    asunattaihenrunofnasthestersinotherlihegreat

    esepainters,liketungchigandgfu,areusuallygreat

    engfu1inese

    painters,saidofhisoing:”rocksarelikethefoipostyleofingh

    hollohestrokes,areesarelikethestyleofingh

    relativelyevenahodofp