第98节 (第1/2页)

    painting,andofallpainting,is;shallbedoneh

    thelinesorstrokesaspaintisputchevasorinkonthesilkitisapurely

    te,theproblef”touch.”butnoartistescapeit,aouch

    usediheeicallyusedto

    traofitsown.sooneror

    later,tiredofit.

    itisthesarebellio,arebellioneupin

    ahzuc.700760,

    ”ahorse,”hypl.onju,anteoraryese

    paintkr,hhoicstrokesand

    stekyof

    thethk

    rultlvatlonoffaiiualhyandstillrein

    akintoitinteique.

    andasteryofthebrush,distinguishedbyitsboldnessandfreedoinsteadofncealing

    theliheartistglorifiedit.eprinciple

    inesearture.thusinplaceofthedeadandservile

    linesofkukaichih346407oreorlesseven

    asifdravnbyasteelpen,artedthesohid

    petallinecurlingandnstantlyginginh,dueto

    thenaturalrhythfastrokelaidhthesensitivebrush.

    infact,itzusstrokesthathispupilg

    hsucreatedtheextrelysstyleofentwiningropesin

    calligraphy.ochieh,699759furtherdeveloped

    anddifiedthestrokeinpainting,sotisabolishingthe

    traditionalthodof”tragoutlines,”andnsequentlyis

    generallycreditedhhavingfouhe”southeschool.”

    itsfarreagnsequencesweshallsoonsee.

    thesendprobles:hoheartistspersonalitybeprojectedintothework

    aeofanart,transilitude,

    yetonyorrealitythisrevoltagainstrephysical

    ayisalsobackofallthe,aybedescribed

    asseartheterialrealityandforthodsofindigthe

    artistsoerevoltthehistoryofeseartinthe

    eighthturyhtheiredordissatisfiedhphotographic

    reproduaterialreality.

    hereeoldproblehoheartistiheobjectshhisown

    etionsorreashad

    <.therevoltereay

    andnutecraftsnship.thentrastbetheneheoldschoolis

    iinglyshohestoryoftingsofszelandscapesonpalace

    zuduringthereignoftang

    nghuang.itissaidthatli,thesterofthe”northeschool,”didhislandscapein

    aboutanth,hallitstraceryolours,whilewudidhisgrand