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licityandthen reachesthetopandlosesitselfinariotofbracketsandidbars,we liketoseethere,asandarinducksrasshopperoran inkslabandabrush.asandarinduckshalwaysgoinpairsin anslove,andastheinkslab andthebrush,sstudy.there,paintedingreenand blueandgoldarethegrasshoppersandtheketsandthendarinducks,anditis aschhappinessasofinthisearthlylife. sotisetiselife, forthesearethetesofesepainting. thedragonisthesthonouredanilinperor, ostusedinartasaderativetive, partlybecausethet, bininggraeaning, besideshavingthosebeautifulclaharealwayssouseful inbreakingnotony.thedragonrepresentsotherhe”fugitive”oryi principleentionedbefore,anditrepresentsgreattaoist,foritoften hidesitselfangrevealsitshegreat an.perfeandinpoself. heulddesountainpondsasheuldrisetotheclouds. behedarkersofthedeepporaceofhisexiste hehina arealoventsofthedragon,andsotis snofidstthunderandlightning,tearing uphouseroofsanduprootingoldbanyantrees.hen,shouldhe dragon,theeodintofpo but,then,thedragonisnotapurelythologicalorantediluviay.tothe anyofthewindingridgesof untainsountainsgraduallydesdand rgeintotheplainorthesea,the basisofancyisundeniablyasuperstition,it hasagreatspiritualandarturalvalue.itssuperstitionnsistsinthebeliefthat byplabsiifulsery,overlookingthon untainsandlionhills,oneans desdants.ifthelocationandthelandscapeseryaretrulyunique,if,forinstance, fivedragonsandfivetigersuniteinkinghogetotheto,itisalst iablethatonedesperialdynasty,oratleast beeapreer. butthebasisofthesuperstitionisapaientofiandscape3and gancysharpensoureyestobeauty.ountains andge ...
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