第80节 (第2/2页)

revelsin

    agery.finally,theeselanguage,hitsuttonesanditslackof

    finalnsonants,retainsasonoroussingingqualityonal

    languages,eseprosodyisbasedonthebalaonalvalues,asenglishpoetry

    isbasedohefourtonesaredividedintothe”soft”tonescalled

    ping,longaicallyevenbutreallyulex,andthe”hard”tonescalled

    tsek,ofacute,graveandabrupttohelasttheoreticallyendinginp,

    t,&s,odendarin.theeseearistraio

    seherhythndalteationofsoftandhardtohistonalrhythsobserved

    eveningoodprose,hefactthateseproseis”singable”seepage

    219.foranyonebeeasilysensedinruskinsor

    erpatersprose.observethentrastbetween,

    n,ngand,kinruskinsings,andthistotal

    rhythanbeeasilyanalysed.

    inaltahisalteationisquiteplex,asinthefollowing

    ”regular55sche”o”standingforthesofttonesand”standingforthehardtones.

    inreadingthefolloofeelthentrasting

    effect,givingthesaysafinal,reorlessabrupttone:

    fi.oooorhy

    \2.ooorhy

    3.ooo

    {4.oooorhy

    f5.oooo

    \6.oooorhy

    7.ooo

    8.oooorhy

    afterthefourthsyllableineachlihereisahiatus.eachtauplet

    bytheelves,andtheddletustberealuplets,i.e.,allthewordsin

    eaestbebalancedagainstrrespondiherlihintone

    andaning.theeasiestagiwo

    interlocutorsspeakingtooher,eachspeakingaliakethefirstfourandthe

    lastthreesyllablesofeaeasttwo

    englishheresultisapatteasoutlinedbelow.

    aah,yes

    bbut,no

    abut,yes

    bah,no

    aah,yes

    bbut,no

    abut,yes

    bah,no

    noticethatthesendinterlocutoralriestouhefirst,hefirst

    alakesupthethreadofthesendinitsfirstunitthe”ahs”and”buts”but

    variesthesendunit.theexarksrelyservetoindicate

    thattherearetkindsof”yeses”and”noes.”noticethaththeexception

    ofthesendunitofthefirstupletalltheunitsareproperlybalaone.

    butoreiedintheieiqueandspiritofesepoetrythanin

    itsprosody.byagicrealfbeautyhowdid

    itthroandatsphereoveranordinarylandscapeand,hafew

    otionhowd

    ...