第81节 (第1/2页)

    【】id

    thepoetseledelierialandhoithhiso

    agloicvitalityieiqueofese

    poetryandesepaintingreallyohatesepoetsarepainters,

    andpainters,poets

    thestrikingthingaboutaginationanditskinshipin

    teiqueostevidentinthehandlingofperspective.herethe

    analogybetostplete.letusbeginh

    perspective.thathelinesoflipo701762

    abovethensfacearisethehills;

    besidethehorsesheadergetheclouds,

    antravellingonhorsebaa

    highuntainpaththeeanifirstsight,willbe

    found,ontsuseoftheigination,togiveusapictureasapainterwould

    paintitonhiseobjethe

    fround”thensface55and”thehorseshead”tosetoffthedistantview.

    entirelyapartfrohepoetiountains,one

    realizesthattheserybythepoetasifitingona

    flatsurface.thereaderhensee,asheactuallyseesinpaintingsorsnapshots,

    thathilltopsseeorisefrohensfaewherein

    thedistanalinebrokenbythehorseshead.thisclearlypossibleif

    thepoetonhorsebadthecloudslyingonalohe

    distanaginehielfonhorsebaahigh

    untainpathahesaperspectiveasthepoetdid.

    inthishroughthistrickofperspective,thesepenpicturesgainabold

    reliefiossibleethods.itotbesaidthattheesepoetswere

    nsciousofthetheoryofthisteique,buthadinanycasefoueique

    itself.hundredsofexalesghtbecited.hthisteiqueofperspective,wang

    estdescriptivepoet,said:

    iainsanightofrain,

    andabovethetreesahundredsprings.

    ofurse,itrequiresalittleefforttoigine”springsoops”he

    exactheinal;butexaausesutiveissorareand

    onlybefoundountainges,f,afterthepreviousnightsrainfall,

    aseriesofetreesinthe

    fround,thereadergainsaclearperspectiveotherpossible.ashthe

    forrexalefroipo,theartliesintheseleofainthefround

    tosetitoffagainsttheobjethedistanlouds,ades,hilltopsandthe

    lkyhenpaintiogetheronafiatsurface.thusliuyuhsi772842

    e:

    foranautuse:severaldotsofhillsoverthewall.

    thepictureteiquehereisperfect:thehilltopsappearingasseveral”dots”overthe

    thehills.inthissense,an

    uandliliatic

    works: