第81节 (第2/2页)

    firstthehillsinthepainting,

    thenthepaintinginthehills.

    thepoetseyeisthepainterseye,andpaintingarybeeone.

    thisaffinitybetorenaturalandapparentwhen

    ilarityofteilarityofthes,

    andthefasoverse.

    inanycase,thepaierfinishinghispaintingusuallyesaverseatthetopin

    thosevaorelateronwhen

    ingproper.butthisaffinityisresponsibleforanotherpointin

    pressionisticteique.itisateiquehgivesa

    seriesofiressions,vividandunfettable,andleavesrelyaflavour,an

    indefinablefeelingbehind,hereaderssedoesnotsatisfyhis

    uandiheartofsublition,suggestion

    andartisticrestraint.thepoetdoesnottrytosayallhehastosay.hisbusinessisbut

    toevokeapicture,kingapelearstrokes.

    hencearosethegreatschoolofpastoralpoets,specializinginlandscapepaintingsand

    usingtheiressionisticteique.suchstersinpastoralpoetryaretao

    yflq.nrg373437>hsiehlingyun385433,ei

    ieiqueispraallyuniversalhesepoets.of

    terknoochiehitissaidthat”thereispoetryin

    hispaintingandpaintinginhispoetry,”becausewangself.

    hislikethe

    follotenbyoneinspiredbythespiritofesepainting:

    adstthestlikeautushowers,

    shallohestonyrapidsflow;

    itsspraysbesprinkleoher.

    upanddoheegretsgo.

    桾heliianchiarapids.

    aotheproblefsuggestion.sodeepainterhas

    attetedtheiossiblebytryingtopaint”thesoundofsunshinegoingupstairs,”but

    theproblefartisticlitationshasbeenpartlyoverebyesepaintersby

    theuseofsuggestion,reallydevelopedbythepoetituallypaint

    soundsandsllbythethodofsuggestion.aesepaihe

    soundoftelebellshoutshohebellsatallonthevas,butpossiblyby

    relyshopleroofhiddenangtrees,andtheeffectofthe

    soundonnsfaell,

    selftopictorialhandling.thusaesepoetdescribingthefragrance

    oftheopenuntrye:

    ingbackoverfloarethe

    horseshoofs.

    nothinghanpaintingaflockofbutterflies

    flittingafterthehorseshoofs,aesepainter

    actuallydid.bythesateiqueofsuggestio

    liuyiihsieaboutthefragranceofaurtlady:

    inher

    ...