第86节 (第2/2页)

  herjadehairpindeing,

    brooonreing,

    intoherblackvelvettelesresigning.

    oveditribed:

    nooveshersteps,ing,pretty,

    hersoftlikeasoutheditty,

    sogracefullyslender,

    sohelplesslytender,

    likesbeforeazephyrgiddy.

    itisiingtonoteherethatrhythsuoodinesedraticpoetryand

    ininusic.

    thereisnoreasoaltresofthreesshouldnotbe

    usedinsokindularbinationinenglishpoetry.thishasbeendoneh

    greatsuoredulatedrhythbr>

    tharaightuseofthreesthroughouttheliheideaish

    experintbysoqualifiedenglishpoets.

    throughitsiensepopularitythetheatrehasachievedaplathenational

    eselifeverynearlyrrespondingtoitslogicalplaanidealrepublic.apart

    froeausic,ithastaughttheesepeople,

    oveiypertofareilliterate,aknoazing,

    crystallizing,asithefolkloreairehistoridliterarytraditioninplays

    ofonnand

    en.thusanyahhasaliveliernanyhistorical

    heroeslikekuanyii,liupei,tsaotsao,hsuehjenkingshanandyang

    kherintitekno

    attendiheatresinyssionaryeducation,andhadto

    leaitallpieyteensiknew

    joshuastruetsbleheididnotknoili

    thirtythatenggniicriedoverthebonesofherhusbandwhohaddied

    buildingthegreatlabour,thetorrentofhertearswashedawaya

    seofthegreatongthe

    illiterateese.

    butthetheatre,besidespopularizinghistoryandsigthepeople,hasan

    equallyiortantculturalfuninprovidingthepeopleoral

    notionsofgoodandevil.praallyallthestandardizedesenotionsofloyal

    nistersandfilialsonsandbraveaidensand

    intriguingidservantsaferefleurrenteseplays.representedin

    theforfstoriesanaybe,

    theysiotheirralnsintzusfilialpiety,angingspassion,yaastes,

    kreason,yensungsgreedandhukoliangsstrategy,gfeis

    quickteer,andliensreligioussanctity梩heyall.beeassociatedinthe

    eseheireionsof

    goodandevilnduct.

    thestoryoftheroheguitarpipachiisgiveoshohetypeof

    ralinfluenpleof

    thekindofstory,

    ...