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【】nalpattesofthoughtandstyle.ithasacultivated, superrefieique,butitlacksgrandeurandpohefeelingone getsontuingfrosandesedrasare essentiallyregarded,ashasbeenpoi,asallesisliketuing fronexquisitepluranuchsuperiorin freshness,riessandvariety. eselyricsaredainty,butneverlongandneververypoheirvery terseness,narrativeanddescriptivepassagesarenecessarilylitedinter.in thedrasthespeandstyleofpoetryaredifferent.wordsareusedhwould havebeebytheurtsasvulgar.igesarise,anddratic situationsarepresentederarypoh dearlyaionsreachaheight unattaiheexquisitequatrailihelanguageitself,he pehhua,beingfreefrohe,naturalnessand virilityentirelyundreadofbefore.itisalanguagetakenrathepeoples uths,andshapediybyselvesfreeoftheal standardsand.so stersoftheyuandrausedatoisitablebeautyofitsown, odeeseorintoanyfnlanguage.it lybesuggestedinthefollowing: zzy,dizzy,laal,iquattingsgsglyon ahendivan. clatter,patter,theoldpopoisshakingherarsegreatbig grainpan. lousy,slouchyliesthedonkeyuhewillow,hislegs sprawling, lapping,patting,thatolieshandonthedonkeysneckis pawing. oh,awhile oh,awhile tilikeabulletpastawindowisflying 桵achihyuan:huangliangng. atitotheexigeheoperaticairs,but thelineswas broaderaabletotheveacularlanguageihe liberationoftreachievedinthesungtguinatinginsongsaheseairs, alreadyprovidedforatreularlengths,obeyihfthespoken ratherthareoreencipatedinthedras. asanapproxiteexaleofthisirregulartre,igivehereanenglishrendering ofpassagesintheberasterpieceofthefirstorderinese literature,hebeautyofinging,theheroine: beforeshespoke,shehadreddened, likeacherryripebroken, likeastatueolten; inant, shedhavespoken astringofnotessandgolden. uedsideyhe folloanner: sidelining,
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