吾国与吾民-My Country and My people(英文版)_第85节 首页

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   第85节 (第1/2页)

    【】roi,his

    flirtatioussideglandtheefake

    sexappealhtheeseaudiendisatthe

    baendouspopularityina.anartist,this

    appealisuniversal,foritspeaksthelanguageofgestures,eationalas

    siodeseheayappropriatelyleatheaba

    shearerhatterton.oberidingon

    horsebackorpaddlingaboat,hisagisherbetteorworse

    thanthatoffiveyearolddaughterboo

    stickbethighs.

    ifas,hatthe

    plot,assiestter,thedialogue

    uniortant,ances,

    veryoftenpopularseletheoperas,ratherthaireplays,aregiven,

    inthesahatoperaticselesarerenderedinusiceits.

    theaudienohestoriesbyheart,andthetersareregheir

    ionalsksandstusratherthanbythesofthedialogue.thefirst

    yiiandras,asiantasters,nsisted,hafew

    exceptions,offouracts.thesongsineatoadefioftunesina

    usiaing

    piestheyareleftout,hedialoguepartwaslargely

    spokeeore.

    inthesoas”thesongsineateperson,

    althoughnyaitation

    probablyduetothesas”the

    litationsofdratihlessrigid;thereore

    freedoandfrohesedrasing

    dynastyberofactsrrespondingihtothe

    ”sesuldbe

    usedinsongsofthesaact,severalsingersuldsingiionorinunisonin

    thesaadthetuheelvesthoseusedihe

    dras,beingofthetypeodulationslesyllables.

    ofsuchdras,theberhsihsiangandautuinthehanpalace

    hankungperialneghaoghiin,

    ybetakenasrepresentativeofthenorthedras,oonpavilion

    paiyuehfingandtheroakenas

    representativeofthesouthedras.theber,althoughnsistingof

    tatieoffiveplays,hfour

    aeach.

    thereisonediffereeopera.hethe

    operaistheprivilegeoftheclasses,veryoftenattendedforitssocialglitterandoutof

    an”operaplex”ratherthanforrealsiiation,sofarastheocts

    ofthe”goldenhorseshoe95area
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