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【】roi,his flirtatioussideglandtheefake sexappealhtheeseaudiendisatthe baendouspopularityina.anartist,this appealisuniversal,foritspeaksthelanguageofgestures,eationalas siodeseheayappropriatelyleatheaba shearerhatterton.oberidingon horsebackorpaddlingaboat,hisagisherbetteorworse thanthatoffiveyearolddaughterboo stickbethighs. ifas,hatthe plot,assiestter,thedialogue uniortant,ances, veryoftenpopularseletheoperas,ratherthaireplays,aregiven, inthesahatoperaticselesarerenderedinusiceits. theaudienohestoriesbyheart,andthetersareregheir ionalsksandstusratherthanbythesofthedialogue.thefirst yiiandras,asiantasters,nsisted,hafew exceptions,offouracts.thesongsineatoadefioftunesina usiaing piestheyareleftout,hedialoguepartwaslargely spokeeore. inthesoas”thesongsineateperson, althoughnyaitation probablyduetothesas”the litationsofdratihlessrigid;thereore freedoandfrohesedrasing dynastyberofactsrrespondingihtothe ”sesuldbe usedinsongsofthesaact,severalsingersuldsingiionorinunisonin thesaadthetuheelvesthoseusedihe dras,beingofthetypeodulationslesyllables. ofsuchdras,theberhsihsiangandautuinthehanpalace hankungperialneghaoghiin, ybetakenasrepresentativeofthenorthedras,oonpavilion paiyuehfingandtheroakenas representativeofthesouthedras.theber,althoughnsistingof tatieoffiveplays,hfour aeach. thereisonediffereeopera.hethe operaistheprivilegeoftheclasses,veryoftenattendedforitssocialglitterandoutof an”operaplex”ratherthanforrealsiiation,sofarastheocts ofthe”goldenhorseshoe95area
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