第85节 (第2/2页)

lfoodof

    thepoor.deeperthananyotherliteraryart,theoperashavegohehearts

    ofthepeople.igineapeopleassesknoireetsandatall

    oddnts,andyouhaveapictureoftherelatiohe

    aniaina,unknoi

    or”operania,”aenseeaniafthelohdishevelled

    hairandcladintatters,singingtheairsofkunggdagthepartofthe

    greatchukoliangireetsofoldpeking.

    fnvisitorsatesetheatresareoftenstruruciatingnoise

    enatingfrohegongsanddruinlitaryplaysandtheequallynerverag

    falsettooflesingers,.this

    st,oobe

    unterevideheapparentforteristoleratesqueaks

    frohesaxophoneandothersounddnessfrohejazzbandany

    esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe

    inofthedruandgongsandthefalsettolybeuoodinthelightof

    esetheatresurroundings.

    theesetheatreofthebettertypeinayardliketheelizabethare.

    instcases,hoph

    abovethegroundiatheopen,orshtacrossathhfare,tobetaken

    dodiatelyaftertheoasioheatrehereforeintheopenandthe

    actorshadtopetehthepeddlerscries,thebarberstuningforks,the

    ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe

    barkingofdogs.abovesuchadin,onlyathinfalsettokeyedinahighpitchuld

    havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso

    usedasaansofattragattention;theyalheplaysanduldbe

    heardaleaovies.when

    stagediheatrebuilding,thevoluofhusproducedistrulyterrific,

    butsohoselvestoit,asthearishave

    adaptedtheelvestojazz.theyheylifetogeta”kick”outof

    it.tiedand

    ”civilized”odetheatrebuildings.

    fropurelyliterarypointofvieatiatypeofpoetry

    yfireliefthat,

    lovelyasthetaryis,asandtheodddratigs

    hsiaotiao}tofindsoofovesre

    orlessaloaintraditio

    ...