第84节 (第1/2页)

    ,

    thenirose,lestthes,shortofleaves,hu.

    esyetthroughh

    theirdance

    thepaleonshhheir.

    hepeculiarlyeseending,easo

    thought,thepoetshielfisa

    littletoorebelliousfortheaverageesepoetry.theusualnoteisoneofsadness

    andresignation,asinsonyoftufuspoe,describingtheharassingeffectsof

    ple:

    icatoshihhaovillageandstayedthateve.

    abailiffcafanginthenight.

    theoldn,hearingthis,cliedoerthewall,

    andtheoldansahebailiffatthedoor.

    oh,hebailiffsvoicesoterrible,

    andansplaintsosoftandlow

    ”ihavethreesonsallattheniehgpost.

    aetosay

    theotherthebattledied.

    letthosethey,

    forthoseore.

    nohehousetheresonlygrandso;

    forhiistherstillreins梬ithout

    adetpattiattogoabout.

    althoughstrengthisebbingweakandlow,

    illgohyou,bailiff,inthefronttoserve.

    foriy,and

    torroardhurrytothehoyangfront.”

    桽ospakethean,andinthenight,thevoice

    becasoloper.

    andintheingyshe;

    aloneshesaidgoodbyetoheroldn.

    thatisteristiftheartofrestraintandthefeelingofsadnessinese

    poetry.itgivesapicture,expressesasentint,andleavestheresttothereaders

    igination.

    ix.dra

    theeanpositioureandthat

    bodyofliteratureeanbytheternaly,

    literatureoftheiginatioer,includingthedrasanden

    inthepehkuaorveacularlanguage,andnsequentlyriddenh

    alstandards,andnstantlygrethatfreedobecause

    esedraticpositionhappeobelargelypoetry,itedas

    literatureonahigherlevelthanthenovels,andalstonaparhthetanglyrics.

    scholarsedtobeknoatiing

    novels.ontheasousorsubjectto

    debateliketheauthorshipofnovels.

    frooaginativeliteraturenstantlygrewin

    beautyandiortaisonitsown

    rits,aedaninfluenceoverthepeopleasnoalliteratureever

    sueededindoing.

    thishybridaatsforitspeculiarpositionand

    alsreatpopularinflueheesedraisabinationofdialogues

    inth