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espokenlanguage,heelligibletothepopulad songsenpartakeofahighpoeticquality.itsnatureistherefore entirelydifferentfrohatoftheionalenglishplay.theso shortintervalsandarereinprohanthespokenparts.asisnatural,the ianlovesandsorrooreoftenburstoutintosongs.actually,thetheatreisattended,frohe pointofvieoreforitssingingthanforitsag.one <,ratherthanto”see”it.it,therefore, thatthetranslationoftheesea”issleading,anditwouldbe repropertospeakofitasese”opera.” onlybyuandingtheofoperasothe people,aspositiorulyuood.forthe appealofthedra梕speodeenglishdra梚slargelyao theuanding,akesabinedappealtothesensesoflour, voiotion.thediufthedraisthespokenlanguage,but thatoftheoperaissidthesong,atheatregoertendsaplayexpectsto follobyitsnfliharacteranditssurprisesand yofa,andanoerispreparedtospendaneveningduringhhis intellebedandhissensessoothedbysidlourand song. thisaostdratiancesarenothattendinga sendti,althoughpeoplegotothesaoperasforthefiftiethtihoutlosing theedgeoftheirkeenenjoynt.thusitishtheesetheatre.thesocalled ghsi”pekingplays”hasageneralrepertoireoflessthanahundredpiecesh areplayedoverandainhoutlosingtheirpopularity.andthepeople applaudbyshouting”hao”invariablyattheariasostintenseor intria,andag isrelyanaainsoially thesalevelasthatofadonnas. theeseoer,therefore,appraisestheeseactoruhetwo categoriesofhis”singing”g}andhis”ag”chuo.butthissocalled ”ag”isofteeidnsistsofcertaiionalwaysof expressiions梚oustheshoglyinartisticheavingand sadonnaschest,andi,istooctalsthe ludicrous ayandagoodvoiofagisalosatisfythe audieaybebeautifulandeveryposea perfeeilanfangby arisisessentiallyrrect,althoughhouchofhissingingis apprearvelsathisbeautifulposesand gestures,hisgraceful,slongblackeyeb ...
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