第100节 (第1/2页)

    【】e

    ntrollingrhythfthebrush,calledfyi.tiansthe”ion9iists

    nd.tokeaesedrato”eoutaion5ksiehyi.before

    osthebrushonthepaper,theartisthasadefinitenind;then

    ashedraingoutthatihcertainstrokes;he

    brooksnointerferenceofirrelevancies,andaddsathereto

    preservetheanicrhythandheessentialionin

    hisnd,heleavesoff.forthatreasourelivesbecausetheion

    behinditlives.itislikereadingagoodepigrathetheflavour

    reins.theeseartistsexpressthisteiquebysayingthat”theion

    precedesthebrush,andhebrushhasdosheionstill

    reins,fortheesearensuatestersinsuggestionand”leavingoffat

    therightnt.”theylikegoodteaandoliveshgivea”backflavour,”

    hiereatingtheoliveordrinkingthe

    goodtea.thetotaleffeptyandalive,”earevitalityupledyofdesign.

    esepivesesepaintingitsspirit.asstatedalreadyinthediscussionon

    poetry,itreoftenhappensinathanithepoetisapainter,and

    thepainter,poet.poetryandpaintingefrohesahunspirit,anditis

    naturalthatthespiritandiee.wehaveseen

    hoinginfluencedpoetryinperspeausethepoetseyeisthepainters

    eye.buthepaintersspiritisthepoetsspirit,hohepainter

    shoeiressiohodofsuggestion,thesaehasisonan

    indefisphere,andthesapaiionhnature,h

    oodauresquentare

    oftenthesa,aistndiry

    also,halittlecultivation,expresstheotherinpainting.

    first,issthequestionofperspective,eers,by

    explainingonavery

    highuntaintheperspectiveoainsoftheahigh

    altitude,say,fronaeroplaneflyingsixthousaabovetheearth,stbe

    differentfroheperspectiveontheordinarylevel.thehigherthevantagepoint,the

    less,ofurse,thelineso.thisisalsovisiblyinfluencedby

    theoblongshapeofesescrolls,the

    froundatthebottofthescrolltothelihehorizonatthetopofthescroll.

    likethedeepaiheeseartistsoportray,ybut

    theiropressionsofreality,andhehod.thetrouble

    pressionistsisthattheyarealittletoocleverandalittletoological.