第100节 (第2/2页)

  halltheiriy,theeseartistsarenotabletoprodufreaksto

    startlethelayn.thebasisoftheiriressioniss,ashasbeenexplaihe

    theorythat”thenustpreaterial

    reality,therefore,buttheartistsionoftherealityisthepurportofthepainting.

    theyreerthattheyarepaintingforfelloanbeingsandtheions

    stbehunlyintelligibletoothers.theyarerestraihedoeofthe

    goldenan.theiriressionissthereforeahuniressionisinpaintinga

    picture,theirobjectistonveyaunifiedioo

    includeandtoleaveout,resultingintheffunglingquality.

    sinaryiortahegreatestpainsstbetakento

    nceiveapoetiception.inthesungdynasty,petitive

    exanationsinpaintinguheierialbureauofpainting,his

    ionofthepoeticeptionoverruledeveryotherstandard.invariablyit

    hepaintiionthatisteristic

    thatthebestnes

    selves,sin.

    buttheiyliesisuggestiveinterpretationofthatpoetie.afeplesinations

    wasaline:

    baoosverahebridge.

    orstriedtorateonthehetreofthepicture.

    therean,hoboogrovebyitsside,

    andhiddeninthatgrove,onlyashopsignbearingtheter”no

    all.andthispicturehehe

    igination.anothersubjectgivenweiing:

    atthedesertedferry,aboatdriftsacrossbyitself.

    thepoethadalreadyusedthethodofsuggestioninnveyisphereof

    silenddesolationbyshohattheboat,leftalone,driftedacrossbytheforce

    ofthecurrent,butthepaintercarriedthethodofsuggestionfurther.thewinning

    picturehisfeelingofsilenddesolationbydrawinga

    birdrestingo,andanotheroneabouttoperit.thepresehe

    birdsheboatsuggeststhattheboatanbeingswere

    about.

    thereosphereofluxury

    intheriodepainter,sickofpaintiy,ryto

    suggest.buthebleofasaxophohatgically

    peratesthroughachaagneglassthatrestsonaahathides

    uhreequartersofatrazesoverthefunnelsofa

    gunardli.theeseiressionistpainted,hoh

    nsioninthebackground,aidpeepingout

    andpoutabasketfulofrisdeliies,likeducksfeet,ikhi,waln

    ...