第101节 (第1/2页)

    uts,

    hazelnuts,etc.ofdetail.the

    sutuousfeastinsideseen,butonlysuggestedbytheseleftoverstobe

    throotherefuseheap.theionisthereforeeverything,onh

    dependsverylargelythepoeticqualityoftheisshyhtportrayaland

    italething

    fortheigination

    hadesepaintingreient,hophasisoion

    oreatteroftheheadthanoftheheart,itruckablindalley,

    forart,arilytoourfeelingsandoursenses,wouldhave

    degeedintoatheti.noauntofteical

    skillorcleveessofintellectualiongiveusgreatart,ifitfailstoachieve

    anatsphereandevokeinusasyathetiotion.hisinallgreatpaintings,oodisthereforeeverything.the

    draerelytosuggesttheabsenceofany

    boatnnearby,andthatabsei,it

    evokesinusaodofsolitudeanddesolatiodriftacross

    bytheforurrentifitesaliveandfullof

    aningtousonlyhattheboathavedriftedacrosslikethat

    ifithadnotbeealone,andthisleadstoarefleonthedesolationofthe

    seotions.ofavailisittopaintthesignofa

    boogrovebythebridgeunlessagihe

    peopleightbegatheredinthatehangsheavyandlifeis

    atpeadnspendans

    rheutisndthequeensgirlhoodronoodis

    thereforeeverything,inpaintingasiry.thisleadsustoaionof

    ”atsphere,5othericvitality,”hehighestideal

    ofesepaintingforthelastfourteenhundredyears,sincehsiehhofirst

    enunciateditandotherpainterselaboratedanddiscussedandquarrelledoverit

    forustreerthattheesepaintersdidnotereayofdetail.

    sutungposaid:”ifoicizespaintingbyitsverisilitude,onesuanding

    issilartothatofachild.”buttakingaereverisilitude,hasthe

    paioofferus,afterall,isthepurposeofpaintingtheanshatthe

    artistshouldousthespiritofthespathetic

    odinrespohatisthehighestobjedidealofeseart.we

    reerhoakesperiodiountainstorefreshhis

    spiritiainairandulateddustofurban

    thoughtsandsuburbanpassions.heoral

    andspiritualelevation,andhebravestheselfinraintolistento

    thethunderi