第101节 (第2/2页)

ngongpilesofksandbrushwood

    andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

    nature.heshouldousthebeofthatnionofnature,and

    hespiritofthethingsasitisinstilledintohissoul,and

    recreateforusapicture,”surchargedoodsandfeelings,evergingand

    ight,likeyiijen,giveusalandscapeof

    lingistsherodenlethetrees,

    ihegeneralistnessoftheatsphere,or,like

    niyiinligiveusapindesolation,htheuntryastretch

    ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

    affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

    andthisgeneralrhythalldetailstenandonlythetralinood

    reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

    eetagain

    thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

    dofnature.thebestofelandscapes,likerots3giveusthe

    saatsphereandthesafeelingfoature,butirayalofhunfor,

    theisdesubservienttothe

    forofnature.ifthereisanyapprealehunforssuch,wesee

    notraalefest,

    notthebeautiesoftheirbodiesbutthelihehehis

    anbody,espealebody,seetotobethest

    singularteristifostsingularntrastbethineseand

    eartisthedifferehesourceofinspiratioselfforthe

    eastandthefeleforortheindasbeingre

    grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

    bathinggirlshouldbedetorepreseeer.”todaynyese

    arestilluoreheelvestothefaivilizationrequires

    actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

    te,beforeoneleaeventhefirstessentialsofpainting.of

    ursetherearealsonyeersy

    ther”abovetheirntelpiedutelatea

    felefigurecalled”ion.”thereisstilltodayalargeproportionof

    englishandarisocietyuresintheirflatsby

    sayingthattheroosrentedfuished,andknotodoha

    vienneseporeoftheirfriendshavepreseheorchrists,

    theygenerallybanishtheaionbycallihings

    ”art,”andtheonesadethen”cr

    ...