第103节 (第1/2页)

    【】valentsuperstitionof

    geoofpantheispelsregardforthe

    surroundingla,h

    itsbestprodutheprivatehoandgarden.itsspiritdoesnot,likethegothic

    spires,aspiretoheaven,butbroodsovertheearthandisedhitslot.while

    gothiity,esetelesandpalacessuggest

    thespiritofserenity.

    unbelievableasitsee,theinfluenalligraphyesineveninese

    arture.thisinfluenceisseeninthebolduseofskeletonstructures,likepillars

    androofs,iredht,deadlines,notablyintheevolutionofthesagging

    roof,andinthegeneralsenseofforndproportionandgradseverityof

    telesandpalaces.

    theproblefrevealingornilartothe

    problef”toupainting.justasinesepaintiliningstrokes,

    insteadrelytoindicatethentourofshapesofthings,acquireabold

    freedoftheiroecturethepillarsinersand

    beainroofs,insteadofbeinghiddeninsha,arefranklyglorifiedandbee

    iortasingivingstrutothebuildings.inesebuildingsthe

    eous.we

    silyliketoseethesestructurallines,asindigthebasicpatteofthebuilding,

    asihesofoutlineinpaintingeworkisusuallyrevealed

    inhousesareleftvisiblebothinsideandoutsidethe

    house.

    thisarisesfroheprincipleof

    ”fraongthevariousstrokesofater,weusually

    etisanenvelopingsquare,his

    regardedasgivingsupporttotherest,andthisstrokeustkepowerfullyand

    kelonger,reobviousthahers.havingobtainedsupportinthisin

    stroke,theotherstrokesit.

    eveninthedesignofagroupofbuildings,thereisaprincipleofaxis>asthereisan

    axisinsteseterstheyplanningofpeiping,oldpeking,one

    ofthestbeautifulcitiesoftheoaninvisibleaxisof

    severallesrunningnorthandsouthfroheouterstfrontgate,rightacrossthe

    eerorsthrohealhilltohis

    axisisiddle”org,andinother

    ters,likegheftp

    perhapsreiortantthantheprincipleofastraightaxisistheuseofcurves,wavy

    lines,ularrhythestontrastostclearly

    seeninthepleorpalaansionis

    based,initsessence,uponthebinationorntrastofthestraightverticallinesof

    thepillarsandthecurvedliheroof.t