第103节 (第2/2页)

heroofitselfntainsantrastbetween

    thestraightliheridgeandthesagginglinebelooourtrainingin

    calligraphyinainline,ay

    behorizontal,verticalorslanting,ustntrastithcurvedorsoftbrokenlines

    aroundit.theridgeoftheroofisfurtherrebrokenbyonlyafeive

    tives.onlybythentrastoftheselinesarethestraightlihepillarsandthe

    plesofesetelesand

    dsthederativepointofehasis

    ratherthanthepillarsortheendoinfroerbeing

    proportionatelysllparedhtheroofitself.

    abc

    threeierof

    ”nchtlruo,”

    andfauscauligraphist.

    theinofthefausroofliraalligraphy

    thetopoftheting,signifyingthe”roof.”hesagintheddleandthesgivenbyeseroofs.

    thetopofter”c”signifies”n,”butreselestheupperlinesofaroof.note

    alsothesureahelowerends.

    hertheprincipleofstructureinvolvedandappliedtoesearture.

    herigidverticallihepillarin”antrastedhthecurveinthe”roof”

    andhotherhorizontalstrokesattachedtoit.notein”b”thetralvertiurve,

    htheotherstrokesclusteringaroundapointatitstopandstrangelybalangone

    another.

    theinofthesaggingroof,probablythestuniqueandobviousteristif

    eiginea

    nneadicdays.ahereasonforitis

    obviousincalligraphy.sofesecalligraphy

    failtoseetheprincipleofgracefullyshe

    greatestdifficultyistaboutstrengthofstroke,asitisaltogive

    strengthtoaperfectlystraightstroke.oherhand,aslightbeherside

    diatelyafeelingoftension.itisonlynecessarytopointtothe

    gracefulsaginthe”radical”signifyingaroofineseterstoseethatthisis

    ninationoftheauthor.

    ourloveforrhythrredht,dead

    linesbeeobviouseeredthatratedanything

    quiteasuglyastheedeesearthas

    perpetratedaestyledlighthouseshapedthingcalledthelakeexhibition

    rial,anditstandsthereadstthebeautiesoflakelikeasoreona

    beautysfaausingallsortsofeyetroublesittoolong.

    itplesofourdevicestobreakstraight,deadlihe

    bestexaleisperhapsthebalustradedroundbridge.theroundbridge

    harnizeshnature,becauseitisina

    ...